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Modern home uses feng shui influences in design

By Jane Vorbrodt, Special to The Sun March 6, 2015

 

Modern home uses feng shui influences in design
 
The open floor plan, perfect for entertaining groups of all sizes, is warm and inviting. (Photo by Jane Vorbrodt.

Yuen Huang always knew he wanted to build his own home — a space to be enjoyed with wife Jia, three-year-old son Yii and his parents.
Such a home would also be a legacy to pass on to future generations.
Huang selected a site on a hilly area above Brentwood Mall in Burnaby, a quiet neighbourhood where his family had settled after arriving in Canada from Taiwan in 1978. The newly completed home now fits in easily with its neighbours — mainly well-maintained two-storey mid-century houses on wide lots — but it’s far from typical.

Painted a warm grey, it has a low metal roofline running horizontally across its face, a modern nod to traditional Asian architecture.

“When we were designing this house, we could have built a humongous big-box square with three floors,” Huang says. “But I said, don’t try to be the biggest and the baddest. You have to show some respect to the neighbourhood. Blend in, with class and quality.”

It’s clear from the outset that this is no ordinary home.

Step inside and a grand room reveals itself. Daylight streams in through windows that run along the highest part of the ceiling, stretching to 15 feet in spots. Sunlight creates geometric shapes on the walls, playfully referencing time of day and season.

The open floor plan, perfect for entertaining groups of all sizes, is warm and inviting.

Wherever possible, spaces were left open, except where privacy or acoustic separation were absolutely necessary. The study, for example, has a 10-foot-wide sliding door that can be left open when the room isn’t being used, to expand the family’s living space.

Since an expansive living area was a priority, decisions had to be made regarding other spaces.

“You can see that some of the bedrooms are not that big. Not the kind that you can put a couch in and what not,” Huang explains. “I wanted to have everybody out here in the main living area. I say, don’t hide in the bedroom. When you entertain here, you have this generous space.”

The family’s interest in architecture goes back generations. Huang’s grandfather was a prominent architect in Taiwan, and Huang’s father built a European-inspired family home in Taipei. Huang is a businessman; although not an architect, he has a strong appreciation for modern architecture and art.

Huang hired a local architect, Imu Chan of FSOARK, who worked within his design parameters. Among them: Huang’s wish that the home have good feng shui.

“We gave Imu quite a bit of flexibility, but one of the things that was important to us was feng shui,” he says. “We consulted with a local feng shui consultant, along with a Beijing feng shui consultant, and we passed on the info to Imu.”

The architect then interpreted the elements of the ancient Chinese practice to best suit the project.

To that end, the corridor flows continuously from all rooms and spaces, creating the perfect loop for young Yii to run laps around the house. The feng shui-inspired idea behind this circular passageway is to ensure that no stale energy becomes trapped.

A curved wall leading from the main living space to the bedroom area further encourages energies to circulate freely.
 
Central to the upper floor is a three-sided stone-clad gas fireplace. Here, the architect explored ideas of permanence and stability, inspired by both traditional Chinese buildings and a Western notion of how the hearth can represent the heart of a home.

According to architect Chan, the circle is a symbolic element in Chinese culture, which brings unity to the family.

In the centre of the home, a dramatic, circular skylight brings daylight into a luxury shower used by Yii. Large windows throughout the rooms were also installed with Yii in mind, given that they’re low enough for him to see out.
Those low windows also allow the whole family to better appreciate the exterior outlooks of the traditional Japanese-inspired gardens surrounding the house.

The lower floor accommodates a generous suite, separated from the rest of the home by an enormous pivoting door, seven feet wide by eight feet high.
On this level, a state-of-the-art media room is separated from the rest of the space with sliding floor-to-ceiling glass panels.

Huang, who frequently travels abroad for work, asked the architect to include extra sound separation between the upper and lower floors so that he could enjoy peace and quiet away from the hustle and bustle of family life.

Now that the house is complete, Huang is enjoying the gradual process of collecting art. One bedroom features a recent work by local artist Gordon Smith, while paintings by Nick Lepard can be found in the corridor and the study. “You know, a painting can actually change things, the feel of a space,” Huang says.

Of his new home, Huang takes a long-term view.
“It’s all an investment,” he says. “So pick something that will last and also maintains its value, and that has history, so that it can be passed along.
“I think that anything that we have will be good enough that we can pass it on to the next generation.”

Huang, who describes the process as “a great experience,” is now ready to pursue additional work in the basement alongside Chan — his architect, and now his friend.
    A feng shui-inspired curved wall leading from the main living space to the bedroom area encourages energies to circulate freely.Huang house - living. (Photo by Jane Vorbrodt. To accompany story by Jane Vorbrodt for Striking Spaces/Westcoast Homes.) [PNG Merlin Archive] 
    In the centre of the home, a dramatic, circular skylight brings daylight into a luxury shower.Huang house - kitchen. (Photo by Imu Chan. To accompany story by Jane Vorbrodt for Striking Spaces/Westcoast Homes.) [PNG Merlin Archive]Central to the upper floor is a three-sided stone-clad gas fireplace. (Photo by Imu Chan.

chinese cosmology - heaven qi and earth qi into feng shui science 天氣 與 地氣

Tien Sum posted in:  xing.com Formschule Feng Shui

chinese cosmology - heaven qi and earth qi into feng shui science 天氣 與 地氣

 
Shao Yung 邵雍 was a famous and top skilled master of numerology, cosmosology, metaphysics and confucism in the ancient Song dynasty. Master Shao was the inventor of "Early Heavenly 64 hexagrams" circle and square sequence diagrams 先天六十四卦方圓圖 symbolic the heaven and earth yin yang qi movements for metaphysics, numerology, divination, feng shui applications.
 
In one of his famous books titled "Huang-Chi-Ching-Shu"皇極經世書 , he talked about the heaven qi and earth qi.Below is a small extraction:
 
Those live with heaven (sky) qi would become active and vibrant, those live with earth (ground) qi would become inactive and quiet. .........
 
For Heaven (sky) qi, the shape and form are less important than the invisible qi itselt as always actively changing and moving. For earth (ground) qi, the shape and form are important as the inactive qi would stay with and attach to the objects of different shape and form utilised for making effectiveness. Therefore, those living in the sky and those living on ground, would carry the same characters of the respective qi, as being fed and driven by the qi characteristic, so the living creatures are being developed with the qi so as long as the qi is being retained in their body and in-taking for live.
 
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<皇極經世> 所言: " 得天氣者動,得地氣者靜。..........天以氣為主,體為次。地以體為主,氣為次,在天在地者亦如之。氣則養性,性則乘氣,故氣存則性存,性動則氣動也。...."
 
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You can see, the heaven qi carries the yang characteristic whereas the earth qi carries the yin characteristic.
 
 
 

 
        

feng shui terminology "ride-on qi" and "take-in qi" 乘氣與納氣

Tien Sum posted in: Formschule Feng Shui

feng shui terminology "ride-on qi" and "take-in qi" 乘氣與納氣

 
In chinese feng shui science, the terminology "ride-on qi" and "take-in qi" are two different technique to obtain the relevant qi for application. yin mansion (tomb, grave) is on the "ride-on qi" technique , whereas the yang mansion (residental house, apartment) is on the "take-in qi" technique.
 
In a classical feng shui literautre written in ancient china song dynasty, titled "geographical snow core poet" , it said, "take-in qi" refers to the qi coming from outside externally, then being taken-in so why yang mansion feng shui emphasizes on doors and road pathways to direct the qi into the mansion for the residents taking in it.
 
In another feng shui literature written in ching dynasty, titled "mansion feng shui note and guide", it said " ride-on qi" and "take-in qi" are not the same, the first one refers to riding on the earth (ground) qi, whereas the second one refers to taking in the heaven (sky) qi. Yang mansion is taking the heaven qi travelling through doors and road pathways.
 
 
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乘氣與納氣截然不同,陰宅為乘氣,陽宅為納氣.《地理雪心賦》 “ 納氣指氣由外來, 在內納之, 故宅重門路,人居其中,納之也.” 《宅譜指要》的作者 (清)魏青江, 云:納氣與乘氣不相同,乘氣是乘地氣,納氣是納理氣,不以宅之座向為主,「專取」門路之來氣。
 
 

 

A brief talk (2) about the "sum-of-ten" method in feng shui 略談 風水上的合十法 (2)

Tien Sum posted in: Formschule Feng Shui

A brief talk (2)  about the "sum-of-ten" method in feng shui  略談 風水上的合十法 (2)

For the Sam Yuan Xuan Kong Da Gua stream (64 Hexagrams method), the "sum-of-ten" method 合十數 法 as well as the "birth-result number match" method 生成數法 are applied for matching of the mountain dragon, sitting, facing and water in/out location gua (hexagram)'s Lo Shu 5 element qi (洛書五行氣)among each other.  
 
Lo Shu numbers into 5 elements: 1, 6 = water;  2, 7 = fire;  3, 8 = wood;  4, 9 = metal
 
1,2,3,4,5   = birth numbers
6,7,8,9,10 = result numbers
 
 
An example below with diagram is used for illustration of the use of "sum-of-ten" method:
 
si-hai facing,
- mountain dragon comes in from the gua at 181.5-184.5 degree 姤卦( 9),
- sitting gua is 154.5-157.5 小畜卦(2 ),
- facing gua at degree 331.5-334.5 豫卦(8),
- water gua at degree 1.5-4.5 復卦(1)
 
As such, the sitting gua (2) with facing gua (8) come to the sum-of-ten, and the dragon (9) with water gua (1) come to the sum-of-ten too.  These four qua would be then of the same yun gua under the flying star 8 八運輔星, the terminology for this matching set is   via a direct translation into English would be "one gua pure clean".  
 
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而, 三元玄空大卦 (易六十四卦 )也以龍山向水合十為吉。例如已山亥向, 來龍入首為姤卦(9), 山為小畜卦(2), 向為豫卦(8), 水口為復卦(1)。 如此, 山向合十(2+8), 龍水合十(9+1)。龍山向水名也屬左輔八星之內。
 

NCL showcases digitized UTL Chinese books

NCL showcases digitized UTL Chinese books

NCL showcases digitized UTL Chinese books
Priceless images such as this one from a Qing dynasty book about folk Chinese divination method Liu Jen will soon be available to public through the National Central Library website. (Courtesy of NCL)
 
Publication Date:02/25/2015
Source: Taiwan Today
 Digitized images and texts from ancient Chinese books held by University of Toronto Libraries will be available on the website of Taipei City-based National Central Library from early March.  A total of 294,817 data captures from 222 books spanning the Tang (618-907) and Qing dynasties (1644-1911) have been added to NCL’s catalogue under a cooperative project launched in January 2014 between the library and UTL.  “The contents of historical Chinese books are real cultural assets,” an NCL official said Feb. 24. “It is crucial to enhance Sinology research and improve public understanding of this heritage by making such treasures accessible online.”  According to the official, the UTL collection was donated by a Canadian priest who served in mainland China during the 1930s.  “Although all the images are precious, those from a Qing dynasty book on Liu Jen, a kind of folk Chinese divination practice, are especially priceless. There is only one known copy of this book in the world and it serves as an indispensable reference for this ancient tradition,” the official added. Equally impressive are images from an essay collection of Tang dynasty literary figure Liu Tsung-yuan, the official said. “These contents shed light on the writer’s talent and the cultural climate of his days.” NCL’s tie-up with UTL is not the first for the institution. From 2005 to 2013, it concluded similar partnerships with Library of Congress, University of Washington Libraries and University of California, Berkeley Libraries.  “We are committed to securing access to a greater range of ancient Chinese books through other cooperative projects going forward,” the official said. “In this way, we can boost awareness of the wonders of traditional Chinese culture among lovers of literature worldwide.” (DF-JSM)  Write to Taiwan Today at ttonline@mofa.gov.tw

A brief talk (1) about the art of "sum-of-ten" method in feng shui 略談 風水上的合十法 (1)

Tien Sum posted in:  xing.com Formschule Feng Shui

A brief talk (1)  about the art of "sum-of-ten" method in feng shui  略談 風水上的合十法 (1)

 
Nowadays the world popular Sam Yuan Xuan Kong Flying Star feng shui is, in fact originated from.the <shen xuankong science> refined and written in China late Ching dynasty by master Shen Zhu Ren. 
 
In this xuan kong classical literature, there is a chapter talking about the art of "sum-of-ten" method using flying stars. The sum-of-ten refers to the the scenario where:
 
  • the sector's yun star and water star add up to 10 symbolising excellent prosperous luck. For example, three yun gui-ding facing. Or 
  • the sector's yun star and mountain star add up to 10 symbolising good health and life safety. For example,.seven yun zi-wu facing 
 
As per the explanatory notes written by the student follower of master Shen: 
 
From two to eight yun, the sam yuan (heaven, earth and human yun) all have the "on mountain on water" good flyingstar setting. Though the one yun and nine yun both flyingstar settings do not have "on mountain on water" settings, there are still "sum-of-ten" settings to be used. For example, one and nine yun for qian-xun or si-hai (mountains for facing / sitting)
The "sum-of-ten" settings are also available in the:
 
  • two and eight yun for chou-wei
  • three and seven yun for zi-wu, gui-ding
  • four and six yun for.geng-jia
 
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《沈氏玄空學》 合十局, 是指  向與運星合十 (如三運癸山丁向 ), 又或是 山與運星合十 ( 如七運子山午向)
 
這可翻看其《論夫婦合十》篇, 內云:江志伊謹案: ………………  二運至八運。天地人三元均有旺山旺向, 而一九兩運獨無, 實為缺憾。今考夫婦合十, 則一九運有乾巽已亥, 二八運有丑未, 三七運有子午癸丁, 四六運有庚甲, 三元九運中全局十者, 共得二十四山向, 是可補旺山旺向之缺憾矣, 願學者擇而用之可也。
 
 
 

滙豐御用風水師談總行佈局

中環在線:滙豐御用風水師談總行佈局
銅獅原來坐鎮後門

17,645

88
■滙豐總行喺正風水靚位。
堪輿大師龍景銓喺上世紀七十年代已經開始為滙豐銀行擔任風水顧問,𠵱家中環滙豐總行嘅風水都係由佢佈局。今年一月底,中環滙豐總行增添兩隻石獅子,亦由佢負責計算風水擺位。
滙豐為慶祝一百五十周年,喺中環總行有多項新佈置,令到七十五歲嘅龍景銓忙得不可開交。龍師傅透露,英國人比中國人更加相信風水,新近擺放嘅石獅子與一個三層樓高嘅米形藝術品,滙豐都要佢幫手搵風水位擺放。

一對石獅無開過光

不過,呢兩件新擺設係冇催運或者擋煞等風水作用,純粹係紀念性質,龍師傅話「石獅子要開過光、點過睛先至帶有吉利作用,而呢對石獅子就冇開光嘅,純粹係古董,做紀念」,但由於擺放位置屬於吉利嘅風水位,行人路過摸一摸應該都可以沾上好運。
提到呢對面向皇后大道中嘅石獅子,龍師傅仲爆料話,呢個位置其實係滙豐總行嘅正門,一直放緊一對銅獅子嘅位置先係後門。
龍師傅指,滙豐總行嘅位置處於太平山其中一條龍脈嘅穴位,屬於「倒騎龍」格局,風水相當好。對住皇后像廣場嗰邊屬於滙豐總行嘅後門,「以前未填海,前面冇嘢阻擋,叫做海光入煞,所以要擺兩隻銅獅子擋煞」。
有化煞,自然亦有招財位。面向皇后大道中嗰邊,有六棵三層樓高嘅樹原來有招財作用,有助滙豐吸財氣。
雖然話滙豐總行喺正風水靚位,但滙豐近年不斷被各式各樣嘅負面消息困擾,股價低迷,咁又點解呢?龍師傅就不以為然,佢始終認為,滙豐總行嘅風水十分好,深信滙豐快將走出陰霾。

9 Halls 8 Trigrams into 8 seasonal qi 八節九宫圖與中國術數

Tien Sum posted in: xing.com Formschule Feng Shui

9 Halls 8 Trigrams into 8 seasonal qi 八節九宫圖與中國術數

Regardless of the chinese fengshui, bazi, zi wei du shu, devinations and many others in the Chinese metaphysics science, all are more or less having the same foundations based on the ancient River Map, Lo Shu, early and later Heaven 8 Trigrams but are also tied up with the lunar calendar 24 seasonal qi for application use.
 
Below diagram is a named "8 seasonal qi into 9 halls" diagram which was created in the ancient China Han dynasty. It basically mapped the 8 main lunar calendar seaonsal qi with the relevant gua trigram on the respective 8 halls. These seasonal qi of the 8 trigrams are also named "gua qi" (being part of the definition) for application use. For example,
  • zhen, xun wood are strong in Spring
  • li fire is strong in Summer
  • qian, dui metal are strong in Autumn
  • kan water is strong in Winter
  • kun, kan earth are strong in chen, xu, chou wei months over the 4 seasons.